Fashion Emergencies
These works transform an object that usually provides personal security, especially in high risk situations, into a functional and stylish piece of attire that can be worn on a daily basis. Like any traditional prêt a porter clothing line, these garments also call for glamorous and theatrical photo shots to promote their use and, that in their own right, are works of art.
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Earth- fragments 2001
The issue at the heart of this series is the struggle for territorial control and the use of landmines for this purpose. Made up of approximately 40 pieces, the project incorporates ceramic sculptures, paintings and drawings, which include portraits of real victims.
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Bridges 1999 - 2000
“Bridges” is an installation project that explores the concept of social and political transition. Bridges overcome barriers. They allow man to master the forces of nature, to speed travel, link communities, and widen horizons. This concept is brought into play as an analogy to Colombia’s as of yet unattainable transition from violence to peace. Based on the design of existing bridges throughout the world, models are built as inconclusive structures thus invoking the concept of fragility, instability and futility.
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Approaching peace 1998 - 1999
This series is based on the murder of two pianists in Colombia whose case was never resolved. The murder was covered in the local news paper and the ensuing installations, objects and sculptures conjure the life and passion of the pianists. This is a personal reflection on Colombia’s inane violence and how its randomness can affect anyone – event the artist himself.
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Stupid but beautiful portraits 2003
These simple portraits are a commentary on our society’s obsession with mainstream beauty and glamour. While the images themselves are appealing esthetically, the art’s glossy, semi-industrial finish produces a void of emotion and a feeling superficiality. The audience is left with a beautiful image and a feeling of emptiness.
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Presence and Absence 1997
“Presence and Absence” was developed in 1997 as a proposal for a specific site installation at “Limmerstr 10” in Hannover, Germany. Composed of a series of paintings and small 3-D objects made up of industrial waste materials (wood, metal, fabric, wax, and paraffin), the installation recreates rural and urban spaces where kidnapped victims in Colombia are often held hostage. At the time, approximately 1500 people were kidnapped in Colombia.
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Inner vision 1996 This project is a series of 35 charcoal and mix-medium self-portraits that portray a series of violent massacres that took place in Colombia’s banana growing region. To review the work, click here.
